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On Set

What an amazing week.

For one week I felt like a VIP. It was so cool. Being on the set was far more interesting, far more exciting and far more fun than I expected. Okay, I’m not a good extra. I got hot. And bored. And I’d wander away from the extras to behind the camera where I’d sit with a headset and listen in as the director gave directions and the actors did their scenes.

I met Heather on that first day, too, and then we talked on Wednesday, and then by Thursday I felt comfortable enough to hug her goodbye.

Jane with Heather Locklear on the set of Flirting with Forty

I have photos with Heather and pics with Robert Buckley. Rob and Heather wanted to meet Ty Gurney and they quizzed us on what it was like being the real Jackie and Kyall (as Kai is called in the movie). But it wasn’t just the stars who made me feel welcome. The crew went out of their way to be kind and make sure I enjoyed my days on the set. From Vicki who secured my first headset and chair, to Lotus in hair, and Casey and Linda in wardrobe, I was made to feel welcome and wanted. I know writers aren’t stars in Hollywood. Writers are very low on the totem pole of respect and power, but the crew and cast didn’t treat me that way. They thanked me for giving them work. They thanked me for giving women opportunities. And they asked about the book. They asked if the book differed from the script and wanted to know what I thought of the scenes I’d seen.

I told them what I’ll tell you: it’s great. It’s going to be such a fun holiday movie. Robert has a very hot bod and there was terrific chemistry between Heather and Rob. Now I didn’t watch them film the love scenes but I did see the surfing scenes and restaurant scenes and water fall scenes and I loved it. The director was brilliant and he brought this story to life. Lifetime should be proud. I’m proud.

It’s Saturday noon and I can’t wait to share more details and photos but right now I’m sitting at the gate at the Honolulu airport and they’re boarding my flight. If I don’t close my computer now, I won’t make the flight and as you know, I need to get home. There’s going to be a big launch party in just days and it’s time I became a writer and left the Hollywood glitz behind. However, do stay tune. More is coming. Much more!

A Funny Thing Happened On The Way To Being Reviewed

I changed.   

Getting published–and reviewed–changed me.  In the beginning, way back in March 2001 when I had my first Harlequin Presents published, the bad reviews floored me.  I felt humiliated in a very public way.  The Romantic Times and Amazon reviews haunted me, playing through my head endlessly.  It took me 15 years to sell that first book and I had been so excited to have it come out only to have it shredded.  Of course, looking back I see now I should have expected it.  People like to voice their opinion.  And for some people, voicing their opinion strongly feels good.  Makes them feel powerful.  But I was naive, and didn’t expect it, and those nasty comments hurt.  For a long time.


The negative reviews continued for my first three books and without meaning to, my stories changed.  My voice changed.  I held back.  I grew careful, even protective.  It hurt taking pot-shots in a public venue and I wanted to please people.  I wanted everyone to like my stories.  I wanted them to like me.  Instead, I lost some of my readers when my stories changed.  I gained some readers, too, but I did keep writing and gradually I found my footing again, as well as some confidence.  Not huge confidence.  But enough.


Move forward three and a half years and I needed a break from writing romance so I wrote my first draft of a new story, a story I thought of as chick-lit but chick-lit done my way.  The story sold to Warner Books and was published as The Frog Prince in May 2005.  There were lots of good reviews.  And there were lots of bad reviews.  And what some people criticized most, was the very thing others cherished.  It was then that I had an epiphany:  I couldn’t please everyone.   I wasn’t going to be able to please everyone.  More so, I shouldn’t want to please everyone.   This epiphany made me a stronger person.  And a much better writer.


Now when I write I never worry about those who toss out the one stars and two stars, or those who are disappointed, or those who use words like “ick” and “icky” in reviews because I need those readers as much as the readers who email me to say my story made them laugh, or cry, or both.  I write for those who need me.  Whoever they are.  Where ever they are.   I’ve said this before, but I’ll say it again:  I write for the women who would be my friend in ‘real life’, who’d have coffee with me and tell me about their lives and I’d tell them about mine.  We’d laugh about the kids and husbands, groan over the kids and husbands, and ultimately feel good that we’re loved and not alone.


You see, my books are a chance for me to say to each and every reader:  you matter.  You’re important.  You deserve a wonderful life.  And if it doesn’t come through?  If my stories or message doesn’t work for you?  That’s okay.  That’s good.  There are millions of other books out for the readers who want something else.  Heck, that’s what the publishing industry is all about.   With that said, if you are one of the readers that like my books, and if you are comfortable posting reviews, please head to Amazon or Barnes & Noble.com and let others know your opinions.  Every opinion counts and I believe strongly in countering the negative with positive, so if you do get a review posted, let me know and I’ll send you a small gift as a token of my appreciation.  I’ve ordered a bunch of fun Jane Porter water bottles perfect for the beach, the gym, the car, or a tote bag and I’d love to send you one as a thank you for supporting me because your support is hugely appreciated.  Your support is why I keep writing.

Fans of Flirting with Forty

From the beginning Flirting with Forty has had a touch of magic. It was a story close to my heart, and a story not entirely all mine, but personal enough I could write with strong, clear emotion and even stronger conviction. Every book I write means something to me but truly, Flirting with Forty, has had a life of its own.

As many of you know, Flirting with Forty has been in the entertainment news with the movie currently in production. A week ago the cast and crew moved from Calgary to Hawaii where they’ve been filming for the past week. Many of my boyfriend’s surf instructors and beach girls have been extras on the North Shore scenes. Several Pi Phi alum friends from the Honolulu chapter will be extras tomorrow in the airport scenes. Other RWA author friends from the Aloha Chapter have been tapped for the Waikiki scenes this coming week. Even I will have a bit part, sitting or standing somewhere in the background of the Waikiki scenes. Ty and I jump on a plane Monday morning to return to Hawaii to visit the set and sit/stand/walk wherever we’re told. I don’t care if I don’t even get used as long as I can hang out on the set and just soak it all in. Who knows if any of my books will really make it to this stage again.

With the entertainment buzz, there’s bound to be photos and blurbs of Heather on the Flirting with 40 (how they title it) set. Just an hour ago my good friend, author Susanna Carr directed me to a clip of the film on TMZ.com. The link she sent me is: here: Look for the title on the left called, “Heather to Denise: Reality Bites!”

There are also pics of Heather surfing. One of my favorites is over at People.com, and it’s pic 7 of 17 under Star Tracks called “Hang 10” and shows Heather laying on her stomach on a surf board riding a wave. An even hotter shot of her is over at Perez Hilton’s gossip site.

Why is this story so popular? Why has Flirting with Forty touched so many? It’s been my biggest seller by far and all of a sudden I’m getting lots of reader fan mail again. Just this afternoon, within an hour, I had four fan emails saying how much they enjoyed Flirting with Forty. I’m not sure if the movie is generating interest in the book, or if the new mass market editions of Flirting are catching readers’ eyes, but either way, it’s wonderful to realize that Flirting with Forty is finding new fans.

If any of you see the new mass market editions of Flirting, let me know. I’d be curious to hear where you’re finding them. Are drug stores and grocery stores carrying them? Or is it just at bookstores like Borders and Barnes & Noble?

For the readers who are just discovering me–welcome. And for those who’ve been my friend and fan for awhile now, thank you for sticking around. I’m delighted Mrs. Perfect is on most Barnes & Noble shelves and I can’t wait to hear what you readers think about Taylor Young and her world.

Waist Not

I’ll be honest.  I think my face looks pretty good for 44.  It’s got lines around the eyes, and some saggy stuff near the mouth so I’ve learned to work a smile since it hides the droopies.  I’ve known for a couple years that if I bend over and look down on something, the skin around my eyeballs sag to the point you think I’m going to burst a vein.  Or an eyball.  I’ve handled this sensitive factoid by not bending over things too much.  Instead I glamorously tilt my head back at a confident, vaguely mocking angle and smile with warm amusement.  It’s a youthful pose and I shall work it forever.

But there’s something else going south, and it’s not something I can fix by smiling mockingly.

Please lean close.  I don’t want anyone else to hear this.  But, I don’t have a waist anymore

It’s true.  It’s gone.  have something else instead.  It’s a pot-belly, not like a pot-belly pig, but like a jelly roll belly.

I didn’t mind the super soft super stretched stomach skin when it could be squished inside my jeans, or flattened by a nice wide thick stylish belt.  But there’s more than there used to be, and as I’m carrying extra poundage, not even hardcore jeans and sturdy leather belts help.  No, the snug jeans and gut-cinching belts are just making it impossible for me to sit.  And breathe.

I don’t eat that much, either.

I mean, I eat.  I’m not a starver.  I eat 5-6 meals a day but they’re small, kind of like snack meals and even my sandwiches are only one-sided with a single slice of bread (so very European).  I do all the tricks like non-fat dairy, except for my half-in-half in my morning coffee.  I’ve cut out sodas, even diet sodas, and drink green tea instead of the second cup of coffee.  But lately, the tricks and sensible eating seems pointless.

I’m turning flabby.  And rolly.  And nothing fits.   I want my waist back.   The good one, the nice one, not this one that screams middle age.

Last week in Hawaii I did a photo shoot for More Magazine.  They’re using me in their July/Aug issue in the regular column called, “Firsts After 40”.  My first was learning to surf after forty.  And for the photo, I had to stand on, or with a surfboard, in a two piece suit.  Yes, me photographed for a magazine in a bikini heavier than I’ve been in probably four years.  I was so nervous about the shoot.  I dreaded it.  Felt so much anxiety that I was eating Cold Stone ice cream almost every night for four days before the shoot.  (Like It size, though, please.)

Everybody who worked on the shoot was wonderful.  The photographer flew in from Maui, and the Austrian make up artist and hair stylist was very cool.  The stylist curled my hair and mascaraed my lashes.   Blushed my cheeks.  Glossed my lips.  But nothing could be done about my waist.  I tried to tell myself it didn’t matter.  That I wasn’t a professional model.  That I’m a mom and writer and I’ve just been through a failed in-vitro attempt.  I’m carrying some serious extra progesterone in my butt.  

You may rightfully ask, So why didn’t you lose the weight before the shoot, Jane?  You had a month between the end of the in-vitro cycle and the shoot.

And I’ll tell you.  I did try.  Every fifth day I attempted exercise and every third day I slathered some self-tanner lotion on the thighs and gut.  But it was hard to do more.  I cared, but didn’t care.  I cared in the way that I wanted a Fairy Godmother to wave a magic wand and just make me tone and taut and dimple free.  She didn’t materialize.  Not even to shape a waist.

So during the shoot on the Waikiki beach, I did what I do best. 

I held my head up, lifted my chin, and smiled my slightly mocking, rather amused smile.  

Aloha

Hawaii and I have an interesting relationship.  Here in Hawaii I savor sun and warm winds and the clear blue ocean.  And here in Hawaii I smack–continually–into my shortcomings and limitations.

Hawaii reminds me that I am a control freak.

Hawaii’s laid back nature reveals my suffocating Type A personality.

Hawaii’s open sharing makes me feel like Scrooge, miserly, money-oriented and obsessive about what’s mine.

If I just stayed in Bellevue I could feel smug.  I could feel altruistic and giving and good about myself.  Don’t I donate to a dozen different charities?  Don’t I share my writing tips and techniques through my b-board and workshops?  Don’t I treat people well, speaking with compassion and kindness?

Um, apparently not so much.  At least not in Hawaii.

Because Hawaii knocks me out of my comfort zone.  Hawaii is about change, and diversity and different people with very different goals (or at times, for some, no goals other than having a good time).  Everyone that knows me well, knows that I operate under the very strict Protestant work ethic–which means being happy is less important than working hard–but here in Hawaii that makes me feel like a freak.  Like I’m walking around with a massive suitcase of Hangups and Heavy Ambition and it’s just not cool.

I’d like to be cool.  Or I’d very much like to be okay with being intensely nerdy, and ambitious, and book hungry, and idea hungry.  I’ve very much like to be okay with everyone and everything instead of having constant talks with myself.  “Relax, Jane.”  “Chill, Jane.”  “Enjoy the ride, Jane.”

If its so much work for me, why come to Hawaii?  (Besides needing and wanting to see Surfer Ty and warm sun and tropical breezes and lapping azure waves?)   Hawaii shakes me up.  Takes me out of that blessed comfort zone and makes me confront myself, along with those ugly limitations of mine.  Truly, I don’t need to control that much.  And I don’t need everything to be quite so all the time.  And different is good.  Even if that different rubs me the wrong way. 

Without Hawaii, I’d just be a princess.  Diva Jane.  And how tragic would that be?

Flirting Film

The Flirting with Forty movie is officially in production. 

April 1st with cast and crew in Calgary, the film began shooting.  My producer contact, Lucy Mukerjee, has been watching the dailies and she reports it’s all going really well.   They’re filming the scenes that took place in what was Seattle but now sounds like Denver.  

On Tuesday I sent flowers to Heather in Calgary to celebrate the first day of the shoot and wish her well.   Tuesday noon I received a beautiful gift from the producers.  It’s exciting.  I’ve watched the process for the past year and a half, read the scripts and listened to discussion on casting and wondered if it’d really become a reality or if the story would just sit on a shelf collecting dust.  But it’s not collecting dust.  It’s coming to life, with new scenes being shot every day. 

The shoot schedule has them continuing in Calgary until the third week of this month and then head to Hawaii for the final two weeks.  I’m hoping to be in Hawaii for the last week of the shoot to watch filming and meet cast and production crew.

The movie really is a different beast from the book and readers who loved the book will enjoy the movie–they just have to remember that it’s a different story now, one perfect for a holiday film starring Heather Locklear and Robert Buckley.

So here’s to the cast, the crew and all the good people at Sony and Lifetime who worked so hard to make this movie happen.  Thank you.  I’m thrilled you chose my book for your 2008 Christmas movie.  Thrilled Flirting with Forty lives on.  Thank you for giving my story a chance and introducing it to new fans and friends. 

Monday Morning

I tried to update my blog last night but couldn’t. I just sat at the computer and stared at the ceiling waiting for some little bit of inspiration to carry the blog but nothing came and I eventually just clicked off the internet and went to watch four hours of t.v.

Grandmother (seated), October 2007
Grandmother (seated), with my mom, Marybeth, to the right. Fresno Fig Garden Books, October 2007

My grandmother died yesterday afternoon around 4:30. My uncle had just been with her and he’d told Grandma that yesterday was her 75th wedding anniversary and that Grandpa was waiting for her. He told her to go to him and he left the hospital. She died within an hour.

I knew she was dying. They thought she wasn’t going to make it through Thursday night but she did–cause that’s my grandma–and all weekend I checked my phone, waiting to see if I’d gotten the call yet that she’d gone. And then finally it came, but it was a voice mail from my mom as I was working downstairs and didn’t hear my cell phone ring upstairs.

It’s good I was alone yesterday. My boys were with their dad and I just felt very quiet, and sad, but quiet. I thought of all the things that would change, realized that Grandma’s house will be sold and all her things distributed and when I go to Fresno now, I won’t have anywhere to go. I’ve always gone to Grandma’s. Since 1965 Grandma’s house has been my second home. It’s not a fancy house but it has books and books and comfortable old couches and tons of family photos in frames. There are the antique rifles that were my grandfather’s, and her piano and organ in the living room. I will miss her Venetian chandalier with its blue and clear glass and her walls in the kitchen covered in all the knick knacks my brothers, sister and I made for her growing up in scouts and our church youth group.

I will miss her chicken cookie jar.

Her red threadbare Persian carpets in the family room.

The stained glass windows hung inside the family room windows.

The pile of newspapers on top of the tv next to the dictionary stand with its enormous dictionary.

I will miss the way she loves all things Purdue.

I will miss her so much but I am grateful to have had her in my life this many years. She believed in me. She believed I could succeed as a writer. She helped me secure my first agent. When I was twenty-eight years old, she proofread my USF graduate project, a manuscript nearly 900 pages long, when my old Mac’s spellcheck died and I was scrambling to get it finished. She very neatly corrected my typos, using small sticky notes in the margins to give the proper spelling. Pensi, she wrote on one yellow sticky note, after lightly underlining the word in the manuscript, should be spelled p-e-n-i-s.

With my wonderful grandmotherAh, Grandma. Thank you. So that’s how it’s spelled.

And oh Grandma, I’m really going to miss you. My feisty brainy hard working, hard charging grandmother. When I finish growing up, I want to be just like you.

The Rita Rules

Within Romance Writers of America, which is the granddaddy of the organizations dedicated to promoting excellence in fiction for women, there is one award that reigns supreme and that’s the Ritas. The Ritas are a bit like the Oscars except we aren’t judging the best films of the year but the best books. I’ve been a Golden Heart and Rita judge for years, and some years have judged the prelims and finals for both categories–a lot of reading, I can tell you.

All that above is a long way of saying, Odd Mom Out finaled this year in the “Best Novel with Strong Romantic Elements” category. I’m stunned that Odd Mom Out finaled. I didn’t expect it as it’s been five years since I last finaled (with Lazaro’s Revenge, my 5th book for Presents) and since Flirting with Forty got such dismal scores last year. For those of you readers who aren’t members of RWA, finaling, or even winning the Rita, does virtually nothing for sales, and won’t help reprints or store orders or industry reviews. Instead, the Rita is a celebration within the industry. It gives you, your editor and your publisher some attention and visibility. The night of the Rita ceremony the nominated book covers are flashed on giant screens during the show, along with the author’s photo and the editor’s name and publisher info. The audience is made up of several thousand well dressed writers, along with some seriously influential agents, editors and publishers and the winner gets to go up on stage in her finery with her more subduedly dressed editor and say thank you and accept the golden statue. The ‘winning’ editor gets a nice plaque. My editor, Karen Kosztolnyik, already has quite a few of the plaques on her wall thanks to bestselling authors Karen Rose, Susan Crandall and more.

I have quite a few friends who have finaled this year and I’m very proud of them. For some, it is their first Rita nod, for others its a happy repeat. Odd Mom Out is my third Rita nomination, and the first outside the series category, although I did win the Golden Heart in 1998 with a longer series manuscript, All Around Cowboy. I was 5 1/2 months pregnant with my second son on the night of the ’98 awards ceremony in Anaheim and I had big hair and wore a red shiny tent dress and I stood at the podium and cried because the manuscript had already been rejected by both Harlequin and Silhouette. I cried because there was nowhere else for it to go, and I was so shocked that editors somewhere had liked this book that couldn’t find a home. That someone somewhere had made this book the winner.

It never did sell. But I’m still very attached to it. Maybe one day it’s a book I can rewrite as a mass market romance because I do love wounded alpha heroes, hardened cowboys, Texas, and characters that survive terrible family tragedies.

To check out the Rita nominations, visit RWAnational.org and to view some of the stars of tomorrow, take a moment to see who has finaled in this year’s Golden Heart contest, the fabulous contest that celebrates the best of this year’s unpublished manuscripts.

Just Let Me Read

When all else fails, read.

Truly.  Nothing cure’s a bumpy life like a great book.  Couple life with traveling, or a segment of potentially boring or unpleasant time (waiting in an airport, waiting in a doctor’s office, waiting for a root canal) a book is a virtual lifesaver.

Friday morning at the Seattle airport just moments before I boarded my Horizon flight to Fresno, I grabbed a Mary Balogh historical romance from the bookstore.  I’ve never read her before although fellow authors who know me and my taste have said, Read Her.  The Hudson News had nearly a dozen of her titles and I wasn’t sure where to start, so I picked the Slightly Married book.  I liked the premise, loved the red cover, and adored the title as it set up the book’s premise perfectly.

The time to Fresno passed too quickly as I was devouring Slightly Married.  I couldn’t wait to return to reading on the flight home again.  And then I stayed up late Friday night to finish it, despite being beyond exhausted.

I loved the book.  I felt so safe reading.  I felt so happy reading.  I didn’t want it to end, and when it did, I just wanted more. 

Today Megan Crane called and we talked about writing and life and books.  I told her how I finally read my first Mary Balogh romance and she said she loved Balogh.  I said I wanted to read all of Balogh’s and it’s true.  If I didn’t need to be doing a lot of writing right now, I’d just dive head first into a stack of her novels.  Once I like an author, I must read it all–the new and the old,–and it becomes an addiction, only a happy one.

In life, there are bumps and snags and twisty paths and what a comfort it is to know that sometimes all we need is a couple hours alone and a great romance novel.   

For Elizabeth

I flew down to Fresno yesterday morning and back again on the five thirty pm flight.  It was four hours sitting in airports, five hours sitting on planes, for four and a half hours at the hospital to sit next to my grandmother’s bed.

 I love my grandmother.  She’s 96 and she had a stroke last week that’s taken away her ability to speak or swallow, and use the muscles on her right side.   Did I mention that I love this grandma?  Dearly, dearly, dearly?

I called Surfer Ty once I’d landed in Fresno and was climbing into a rental car to tell him I’d arrived safely.  I told him I dreaded going to the hospital.  I don’t like hospitals.  They give me the creeps.  My dad spent a lot of time there and my former husband did, too.  I’m not very nice when people are sick.  I’m scared.  And not patient.  I don’t like being a nurse, don’t want to be a nurse, but I needed to see Grandma.   I needed her to know that I love her and worry about her and want her to recover.

At 96 there isn’t always a lot of talk about recovery, or rehabilitation.  People get old.  They die.

But not my grandma.  Not yet.  This grandma owns such serious real estate in my heart.  If you carved my heart up, sometimes I think she’d have at least half.  I know that sounds funny but she was one of those people that anchored me to the universe when I wasn’t sure I belonged here.  She made me feel important and loved my entire life even if she wasn’t the huggy, cozy kind of grandma.  No, Grandma Lyles is a rock.  My rock.

When I was a little girl I loved staying at my grandmother’s house because she had so many books.  Grandma worked–headed up a huge construction company and remained Chairwoman of the Board long past the age most men retire–and when she’d be at the office, Grandma’s housekeeper watched us.  Grandma’s housekeeper made me eat bologna sandwiches (I did not, and do not, like them) and take naps (I did not like them, either) but Grandma said I could take books with me into the bedroom and read them during naptime instead of sleeping.  I liked that.

When Grandma was home, she never made me bologna sandwiches.  She made me BLT’s and I loved those.  Especially with ketchup.  Grandma also always had marshmallows in her big glass jars, and at night, we always had a bowl of ice cream.  She’d have 4 or 5 cartons at one time in her freezer–chocolate chip, rocky road, fudge swirl, strawberry, vanilla–and we could have whatever flavor we wanted.  We could even have scoops of different flavors.

This grandma–her name is Elizabeth–was the first woman to head the California Construction Assocation.  She was the first woman to head a California construction company.  Back in college, she got a degree in French and Physical Education.  This is before most women took PE.  This is a woman ahead of her time and fearless, absolutely fearless, because even when she was worried or afraid–and I know there were times she had to have been–she still acted.  She still moved forward.  She never gave up.

Yesterday Grandma couldn’t talk.  She just looked at me. 

And looking at her, my heart hurt because it loves this person so much and I didn’t want to cry but I couldn’t help it.  I’d lean forward and kiss her, and stroke her hair and tell her, I love you, Grandma. 

At three thirty I had to start thinking about heading back to the Fresno airport and returning my rental car since my flight boarded at 4:55.  She’d been dozing and when she opened her eyes once, I leaned over and told her, I have to go soon, Grandma.  I have to go back to Seattle.  And she looked at me so long, looked at me for forever, and her eyes were watery and it hurt even more.  She can’t say what she wants, thinks, needs, feels.  She can’t ask for a nurse to lift her.  Can’t say she’s choking.  Can’t say goodbye Jane, or are you going to come back again, Jane?

I’m glad I flew down to Fresno.  I’m so very glad I spent time at her bed.  And even happier to see she has such good care.  That she has frequent visitors and wonderful nurses aids my uncles and mom have hired to sit with her during the day around the clock to make sure she is comfortable and able to breathe.  I know this, too:  when I am 96 I hope I am loved as much as she is.  I hope there will be children and grandchildren who will love me as dearly as she is loved.  I hope there will be caregivers who will rub my back, and massage my feet, and kiss me goodbye when they leave.

I know my grandmother has had a great life.  I just want there to be more.